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moreDIRECTOR OF PHOTOGRAPHY
Following his graduation from the University of TV and Film Munich in 1985, Waldemar Hauschild has always been a close collaborator to DENKmal-Film.
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more2nd DIRECTOR OF PHOTOGRAPHY
Telling stories through images – true stories about people and the regions they live in – has fascinated Gerald Fritzen since an early age and shaped his career choice: director of photography.
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EDITOR
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mehrEDITOR
Following her studies in film editing, Corinna Lösel took the classic career path from assistant editor to editor and soon came to realise that her heart belongs mainly, though not solely, to documentary films.
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moreEDITOR
Since 1998 Melania Singer works as a freelance editor - primarily for fictional formats - on projects such as “Die Schlikkerfrauen” (directed by Uwe Janson), “Danni Lowinski”, “Die Superbullen” (produced by Bernd Eichinger) or “Aschenputtel” (ARD).
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EDITOR
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moreMUSIC
Music has always had a prominent place in Sami Hammi‘s life.
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moreSOUND
In 1993 Marcus von Kleist bought a professional camera with his first self-earned money – since then he has been infected with the film virus.
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SOUND
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mehrCAMERA + EDITOR ASSISTANT
RESEARCHFor many years Alyssa Koske has been connected to DENKmal-Film and Bertram Verhaag.
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CAMERA ASSISTANT
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ASSISTANT
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RESEARCH
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POST PRODUCTION
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COLOR CORRECTION
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SOUND MIXING
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moreLINE PRODUCER
Eva Linke had worked in the management sector of a large post-production company for many years. Because money isn’t everything, she decided to join DENKmal-Film in 2010.
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mehrPRODUCTION MANAGER
After her degree in media and communication studies, Jelka Hauschild interned with DENKmal-Film and was subsequently hired as a production manager.
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moreIT / WEBDESIGN
After his degree in electrical engineering, Alexander Kietzmann decided to shift his focus into a more creative direction.